Animation Studies Journal
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16 June 2024Steven Malliet, John Buckley, Guido Devadder et al. – Expanded Memories: Artistic Experiments into Hybrid Analogue-Digital Animation
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16 June 2024Sergei Glotov – Yefim Gamburg’s Passion of Spies: Parody in Soviet Animation
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16 June 2024Daniel Johnson – “The Emotions that Get Stuck in Your Throat”: Expressivity in Speech, Script, and Sound in Japanese Animation
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11 December 2023Myria Christophini – Animating in British Communities During the Lockdown
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5 December 2023Hannes Rall and Emma Harper – Re-inventing Shakespeare’s Pericles, Prince of Tyre for Immersive Animation: A Practice-oriented Case Study
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4 December 2023Michelle Ann Abate – Hogan’s Alley in the Enchanted Forest: R. F. Outcault’s The Yellow Kid and Walt Disney’s Dopey
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1 December 2023Li Guo – Toward a New Media Ecology: Aesthetic Experiments in Post-Socialist Chinese Animated Documentaries
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20 June 2023Anastasiia Gushchina – Towards a Materialist Theory of Animated Documentary
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20 June 2023JS Wu – Hand of Artist, Voice of Griot: A Poetics of African Animation in the Films of Jean-Michel Kibushi
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13 December 2022Elena Altheman – Adventure Time’s World-Building: Analyzing Its Opening Title Sequence and the Mobile Map
Animation Studies 2.0
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4 December 2025Counter Hegemony in Lesbian Space Princess – Animation as a queer epistemic tool?
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1 December 2025From meat machines to airplanes — posthuman approaches to agency in Chicken Run (2000)
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27 November 2025Review: Cartoon Vision: UPA Animation and Postwar Aesthetics (2019) by Dan Bashara
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25 November 2025Levels of agency in idle animations: mapping (in)activity in video games
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21 November 2025Reflections on the uses of materials and technology in the Royal College of Art Animation archive
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13 November 2025Picturing Security: exploring democracy and agency through drawing and animation
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10 November 2025The Song of the Sky and the Breath of Stones in Baigal Nuur – Lake Baikal (2023)
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6 November 2025Editorial: Animation and Agency
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4 November 2025Hyperteaching the Hyperstudent in Higher Educational Animation Programs
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31 October 2025Review: Animated Film and Disability: Cripping Spectatorship (2022)
